Conversations with Michael McClure features twenty interviews from 1969 to 2015 that chronicle the capacious scope of McClure's creativity. McClure (1932-2020) is notable not only for his considerable achievements as a poet and prose writer of the Beat Generation, but also for the many collaborative connections he forged over seven decades. From ......
Bisi Adigun and Roddy Doyle's centenary adaption of J. M. Synge's classic The Playboy of the Western World had a sold-out run when it was produced at Dublin's Abbey Theater in 2007 and was brought back by popular demand in 2009. The new version is set in a contemporary Dublin pub and features the character of a Nigerian asylum-seeker in the lead ......
Bisi Adigun and Roddy Doyle's centenary adaption of J. M. Synge's classic The Playboy of the Western World had a sold-out run when it was produced at Dublin's Abbey Theater in 2007 and was brought back by popular demand in 2009. The new version is set in a contemporary Dublin pub and features the character of a Nigerian asylum-seeker in the lead ......
Richard Wright's dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright's long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright's family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright's ......
Othello and White Authority in the Era of Atlantic Slavery
In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era ......
Othello and White Authority in the Era of Atlantic Slavery
In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era ......
From 1642 to 1660, live theater was banned in England. The market for printed books, however-including plays-flourished. How did this period, when plays could be read but not performed, affect the way drama was written thereafter? As Katherine Mannheimer demonstrates, the plays of the following decades exhibited a distinct self-consciousness of ......
From 1642 to 1660, live theater was banned in England. The market for printed books, however-including plays-flourished. How did this period, when plays could be read but not performed, affect the way drama was written thereafter? As Katherine Mannheimer demonstrates, the plays of the following decades exhibited a distinct self-consciousness of ......
