John Ward (b.1938) has a longstanding reputation as one of Britain's foremost potters, and yet very little has been written about his manifold achievements. Authoritative and enlightening, this will be the first account of Ward's life and work, tracing the evolution of his ideas and his practice as a potter and placing them critically within the ......
Janet Leach’s childhood in Texas through the Roaring Twenties and the Depression imbued her with resilience and numerous practical skills, initially acquired on her grandparents’ self-sufficient farmstead. At nineteen she took a Greyhound bus to cosmopolitan New York and soon found work as a sculptor’s assistant. During the war she worked on ......
Esther Pressoir: A Modern Woman's Painter situates Esther Estelle Pressoir's body of work within the effervescent art scene of the early 20th century, both in America and abroad. The first book to present the wide-ranging oeuvre of this American modernist, it covers the span of Pressoir's long life (1902-86) with a particular focus on the interwar ......
Written by Bernard Leach, the father of British studio pottery, this seminal book is the first treatise to be written by a potter on the workshop traditions handed down from the greatest period of Chinese ceramics in the Sung dynasty. With this book, potters can learn everything from how to adapt recipes for pigments and glazes to designing kilns.
The Muya collection is focused on a selection of significant ceramic masterpieces that demonstrate the evolution of technology and art in China. These masterpieces were previously housed in well-known private institutions such as Meiyintang, Xiaoyazhitang, Alfred Clark, Frank Caro, John Bodie and others.
Creativity, Conservation and Craft at Barley Studio
This book provides a compelling overview of how stained glass can play a significant role in our visual culture and heritage. While the closure of traditional church buildings has endangered the future of this well-loved discipline, throughout the centuries, stained glass has had a capacity to adapt, with its unique ability to use colour and light ......
The late nineteenth-century Biloxi potter, George Ohr (1857-1918), was considered an eccentric in his time but has emerged as a major figure in American art since the discovery of thousands of examples of his work in the 1960s. Currently, Ohr is celebrated as a solitary genius who foreshadowed modern art movements. While an intriguing narrative, ......
This study examines the pottery found on the Kaiparowits Plateau to try to answer questions about the relationships and movements of the Fremont, Virgin, and Anasazi peoples.
This paper reports on the prehistory of the Virgin branch of the Anasazi in the Southwest. It incorporates information from sites excavated in the early 1960s in southwest Utah to reassess earlier studies of Virgin Anasazi culture that were based primarily on pottery.
