Founded in 1956, Penn State University Press publishes rigorously reviewed, high-quality works of scholarship and books of regional and contemporary interest, with a focus on the humanities and social sciences. The publishing arm of the Pennsylvania State University and a division of the Penn State University Libraries, the Press promotes the advance of scholarship by disseminating knowledge—new information, interpretations, methods of analysis—widely in books, journals, and digital publications.
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The Umman-manda and Its Significance in the First Millennium BC
Who were the Umman-manda? This is a question that has vexed Assyriologists since the early days of the discipline, particularly because the question has different answers at different times and in different places: Hurrians, Elamites, Medes, Cimmerians, Scythians—all have been cast as the Umman-manda by various peoples at various ......
Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue - a type of anthropocentric statue that invites the viewer to imagine any sounds the statue might make - Sculpted Ears rethinks this relationship in light of discourses on ......
Documents the current distribution and changes in status for over two hundred bird species in Ohio, based on surveys across the state from 2006 to 2011.
The surge of evolutionary and neurological analyses of art and its effects raises questions of how art, culture, and the biological sciences influence one another, and what we gain in applying scientific methods to the interpretation of artwork. In this insightful book, Matthew Rampley addresses these questions by exploring key areas where ......
Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character.
Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character.
Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance.