In her award-winning, critically acclaimed Women's Writing in Italy, 1400--1650, Virginia Cox chronicles the history of women writers in early modern Italy -- who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women's literary output.A widespread critical notion sees Italian women's writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its development. Cox argues otherwise, showing that women's writing flourished in the period following 1560, reaching beyond the customary 'feminine' genres of lyric, poetry, and letters to experiment with pastoral drama, chivalric romance, tragedy, and epic. There were few widely practiced genres in this eclectic phase of Italian literature to which women did not turn their hand. Organized by genre, and including translations of all excerpts from primary texts, this comprehensive and engaging volume provides students and scholars with an invaluable resource as interest in these exceptional writers grows. In addition to familiar, secular works by authors such as Isabella Andreini, Moderata Fonte, and Lucrezia Marinella, Cox also discusses important writings that have largely escaped critical interest, including Fonte's and Marinella's vivid religious narratives, an unfinished Amazonian epic by Maddalena Salvetti, and the startlingly fresh autobiographical lyrics of Francesca Turina Bufalini. Juxtaposing religious and secular writings by women and tracing their relationship to the male-authored literature of the period, often surprisingly affirmative in its attitudes toward women, Cox reveals a new and provocative vision of the Italian Counter-Reformation as a period far less uniformly repressive of women than is commonly assumed. Praise for Women's Writing in Italy, 1400--1650'Exhaustive and insightful... This is an amazing book, a major achievement in the field of women's studies.' -- Renaissance Quarterly'This is a definitive study and will surely remain so for many years to come.' -- Choice'Virginia Cox has written a magisterial study of the major trends in women's writing in Renaissance and Counter-Reformation Italy... This is indeed an impressive volume and one which deserves to be read and studied. It will change the way we think about women's writing in early modern Italy.' -- Modern Language Review
Acknowledgments Introduction Chapter One: Contexts 1. The Female Writer in Context: Opportunities, Attitudes, Models 2. Women's Writing and the Counter-Reformation 3. Religious Writing in Post-Tridentine Italy: A Poetics of Conversion 4. Secular Writing in Post-Tridentine Italy: The New Sensualism and the Misogynist Turn Chapter Two: Lyric Verse 1. Women's Lyric Output, 15801630 2. Pietosi avetti: Spiritual Lyric and the Female Poet 3. The Dwindling Muse: Female-Authored Secular Lyric in Post-Tridentine Italy Chapter Three: Drama 1. Drama for the Doge: Moderata Fonte's Le feste 2. Arcadian Adventures: Women Writers and Pastoral Drama 3. The Challenge of Tragedy: Valeria Miani's Celinda Chapter Four: Sacred Narrative 1. Women Writers and the New Sacred Narrative 2. Refashioning the Gospels: New Testament Narrative in Moderata Fonte and Francesca Turina 3. Hagiographic Epic: Lucrezia Marinella's Lives of Saints Columba and Francis 4. Hagiographic Epic Remade: Marinella's Lives of Mary and Saint Catherine of Siena 5. A Medicean Sacred Epic: Maddalena Salvetti's David perseguitato Chapter Five: Secular Narrative 1. Women Writers and the Literature of Chivalry 2. Ideology and History in Female-Authored Chivalric Epic 3. Gender, Arms, and Love in Female-Authored Chivalric Fiction 4. The Fortunes of Female-Authored Chivalric Fiction 5. Beyond Chivalry: Lucrezia Marinella's Experiments in Mythological Epic and Pastoral Romance Chapter Six: Discursive Prose 1. Output and Principal Trends 2. Authorizing Women: The Problem of Docere 3. Preachers in Print: Religious Institutio in Maddalena Campiglia and Chiara Matraini 4. Proclaiming Women's Worth: Fonte, Marinella, and the Querelle des femmes Coda Appendix: Italian Women Writers Active 1580-1635 Notes Bibliography Index
""After the acclaimed Women's Writing in Italy 1450-1650, in which Virginia Cox offered a crucial critical overview of the phenomenon of Renaissance women writers, she now develops the most critically innovative section of her previous work with this important, intriguing, impressive, beautifully written, and comprehensive new book. The Prodigious Muse ' which implies in its title the variety, ambition, originality, and exceptionality of women's creativity of the period ' is the result of a huge amount of research that opens the way to a new perspective on late-sixteenth- and early-seventeenth-century literature and culture, not only contributing to studies of women but also offering a new view of the history of Counter-Reformation politics and culture. The book is fascinating reading for those who want to learn more on the subject. It proposes a stimulating and well-documented new approach, offering important sources of information to those who work on Counter-Reformation literature and history, as well as on women's writing.""
